
From 2015 a good read about how the cultural appropriation of books, music, art, cuisine and dress have been used by Zionists as a weapon against Palestinians.
By Roger Sheety | Middle East Eye | July 14, 2015
…the theft of Palestine and its culture has two essential and interwoven components, the removal/erasure of Palestinians and a concurrent assumption of nativity or ‘birthright’ in Anglo-European Zionist terms.
Stealing and appropriating the culture and history of indigenous peoples is a typical characteristic of all modern colonial-settler states, but usually accomplished once the indigenous people in question has been eliminated, dispossessed, or otherwise seemingly defeated therefore making it safe to do so. The colonial-settler state of “Israel,” established on the ruins of Palestine and through the expulsion of the majority of its indigenous population in 1948 and after, is no different.
The Israeli theft of all things Palestinian, however, does not simply come from misguided notions of nationalism or childish pride as is often argued by Western apologists, but is rather a conscious political policy of the state that seeks to erase Palestine from historical memory, particularly within Western discourse. Indeed, the continuing ethnic cleansing of Palestinians from their historic homeland goes hand in hand with the theft of Palestinian land, homes, history, and culture. It is an essential part of the larger, long-term Zionist project of eradicating the Palestinian nation altogether, literally writing it out of history while simultaneously assuming its place.
Continue reading “Stealing Palestine: A study of historical and cultural theft”


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