Despite outrage, Jerusalem museum vows to keep censoring evolution exhibit

An exhibit on evolution at the Natural History Museum in Jerusalem, blocked from view with a pink sheet, in April 2018. (photo: Michael Bachner / Times of Israel)

Natural History Museum justifies covering up displays during visits by ultra-Orthodox groups, as many in Israel and abroad slam institution as betraying science.

By Michael Bachner | The Times of Israel | May 2, 2018


“Science and knowledge are not a joke. The museum should decide whether it is a scientific museum presenting the truth or an institution with self-censorship that seeks to tell its visitors half-truths and complete lies.”
— Uri Keidar, Executive Director of Be Free Israel, a non-profit which promotes religious pluralism


The Natural History Museum in Jerusalem has vowed to continue its policy of hiding an evolution exhibit from view, along with other displays on dinosaurs and the human body, during visits by ultra-Orthodox groups in order to avoid offending their religious beliefs. The announcement came despite an outrage caused in Israel and abroad by its decision to self-censor displays on evolution, dinosaurs and the human body.

“Of course,” the museum’s educational director, Dr. Evgeny Reznitsky, told The Times of Israel on Tuesday when asked whether he will carry on with the practice, citing the institution’s dire financial situation and saying it was better to have ultra-Orthodox schoolkids visit on their terms than have them not come at all.

As people protested outside the building with a megaphone and demanded that the museum reject the demands set by Haredi schools, Reznitsky said he would only reconsider his position if ordered to stop by municipal authorities.

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The Museum of the Bible reflects the discouraging state of Christianity

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A King James Bible from the year 1617. (photo: Scalzo / Epa-Efe / Rex / Shutterstock)

The museum provides a metaphor for the state of Christianity in the US today.

By Christine Emba | The Washington Post | No 17, 2017


The Museum of the Bible reflects the discouraging state of Christianity — especially evangelicalism — in the United States today. It is lavishly funded and larger than life to the point of performance, often literally. Yet the approach is strangely superficial given the wealth of complexity inherent to its subject. There are dozens of illuminated manuscripts, but it’s unclear whether they’ve been read.


Somewhere between the surround-screen animation of the New Testament and the backlit glass case containing Elvis Presley’s personal Bible, I began to feel a bit overwhelmed. It was bound to happen; the guide made it clear that the Museum of the Bible was meant to be a highly stimulating experience.

Educational too, of course. The new museum’s purpose, as stated in its promotional materials and in the carefully bland speeches of its largely evangelical Christian board, is to invite all people to “engage” (their preferred word) with the most popular book in the world. There was a lot to see: more than $500 million worth of artifacts, interactive exhibits and performance space in a 430,000-square-foot building three blocks from the Capitol. But actual grappling with the Bible and its implications was an afterthought.

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